J.S. Bach Flute Sonata No. 2 in E Flat Major (BWV 1031)

It is equally challenging as it is rewarding to perform transcriptions on the tuba. However, there are a few considerations that should be taken into account as you familiarize yourself with the piece. Here are a few:

1. Listen to the composition in its original setting. Imbue that sound into your subconscious. You will instinctively improve your performance as a result.
2. Elements of style such as dynamics, articulation, note length, and timbre should be taken into an appropriate context.  For the Flute Sonata I endeavored to perform with softer dynamics, fluid articulation, and a light timbre. Be flexible, these pieces should not sound like a contemporary solo tuba composition!
3. Is the piece or movement modeled after a dance? If so, familiarize yourself with its characteristics.
4. Often, the greatest challenge when performing a transcription is the phrasing. Plan all of your breaths in advance. Practice catch breaths to maximize inhalation without disrupting the melodic line. In the third movement I placed a few notes in parenthesis that can be left out if an extra breath is needed. 
5. Plan your tempi wisely. Sometimes a slight reduction from the standard performance practice will allow for greater clarity and ease. 

Download the Solo Tuba Transcription

Recorded on November 7, 2016 with Mary Beth Norman, piano